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Perplexual Movement No. 1

from Norwegian Wood by Gregg Miner

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about

Performed on Knutsen harp ukulele & harp steel guitar.
This and PM2 below are examples of “abstract music” – i.e: they are not “about” anything, but little experimental “studies.” They made me think of perpetual movement – simple repeating motifs with endings that presumably go on forever. Being a bit weirder than, say, Poulenc’s “Mouvements Perpetuels,” I combined that with “perplexing” to create a more applicable term. Each started out with an unfinished idea on a single instrument. In this case it was something I came up with ages ago on my Dobro in this close tuning. The three sections I remembered virtually verbatim and transferred to this Knutsen 12-course harp steel, then came up with the “clockwork uke” idea. The unique configuration of Knutsen’s seemingly limiting harp steel enables the illusion of multiple instruments with its Hawaiian-style neck, two sub-bass strings and a mere four chimey super-trebles, for this experiment strung in Nylgut to counterpoint the harp uke.

credits

from Norwegian Wood, track released November 25, 2017

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Gregg Miner Los Angeles, California

Gregg Miner is a plucked stringed instrument collector, scholar, recording artist and performer, best known for his work with harp guitars. For more, visit his 3 web sites!

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